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Dawn

 

Over the next couple of weeks I am serialising my whole India book, for free, here on my blog.

Dawn

“It was a morning like other mornings and yet perfect among mornings.” – John Steinbeck

I walk quietly past the night watchman, bundled in blankets and snoring on the floor. I step out of the lodge. I’m out into the world. I have begun. Dawn will come quickly. But not yet. My pack feels comfortable. It’s as small as I could manage, but we can’t travel without baggage. We carry it wherever we go, even when we’re trying to leave it all behind.

I glance up at the dark sky. I find Venus and use the bright star to check my bearings. I turn my back on it and begin walking west. I now know which direction I am going. That is virtually all I know about today.

One of the few certainties is the blazing heat and the noisiest country on Earth. So I breathe in the cool air and savour the silence while it lasts. Dawn smells different far from home. The air is full of possibilities. That’s rubbish, of course. Air is air. Nothing more. But I’m excited to be on my way and am sniffing possibility all around me.

My legs are strong. My feet are comfortable. I have a sense of purpose. I’m here to learn and think and experience. And also to walk well and cover distance. To test myself. I feel good. I love it out here. The day has not yet knocked that out of me.

The street sweepers are already working. Bent double with one arm behind their backs, they sweep the street with short broomsticks made of twigs. They sweep, sweep, sweep at the dust, coconut husks, scraps of newspapers, cigarette ends and plastic bags. Sweeping India clean. Oxymoron, impossibility. Sweep, sweep, sweep. Sisyphus meets Escher. Sweep, sweep, sweep. Repeat day after day. Year after year.

With rhythmical arcs they sweep yesterday’s unwanted remains into small piles. Perhaps an ox cart will collect them. Perhaps they will be rifled through by the stray dogs with sores and lame legs. Or perhaps their human rivals will beat them to it: India’s unloved, nameless and destitute (who each, of course, have names and were, once at least, loved). They lie in doorways, their lungis (sarongs) wrapped tightly round their frail bodies like shrouds. They sleep the sweet hours of blessed escape when, if their dreams are kind, their lives are limited only by their imaginations. I wish them long sleeps. Is this the only kindness I can offer? Is this the best I can do?

I continue down the dark street. At dawn towns are quieter than villages. There are no cockerels, no bleating goats being led to pasture. I pass a small temple. The gate is still shut. On the outside wall is a small deity in a niche. A candle flame casts a tiny glow over the god. The wall above the statue is black with years of smoke. Rippling downwards is a red waterfall of solidified candle wax.

Dawn never arrives gradually. It comes in little leaps each time I notice that it has grown lighter since I last paid attention. The sky is greying. I can see further. I am past the shops and bus stand. There are homes beside the road now. Most are still dark but a few are beginning to stir. Through an open door I see smoky orange flames wrapping up around a cooking pot. A fat woman in a green sari stands sleepily in the doorway. She doesn’t notice me.

The ground outside another home has already been swept and splashed with cow dung and water to keep the dust down. The fronts of India’s rural homes are always pristine, even if just yards away a stinking pile of rubbish has been dumped. An elderly woman is marking out her kolam for the day. These elaborate, symmetrical patterns of white rice flour are redrawn each morning. They welcome guests to the home as well as Lakshmi, the beautiful four-armed goddess of prosperity. The old woman, bent double and concentrating on her kolam, does not notice either as I pad past. She pours white flour from her dark fingers in a thin, neat line, like sand rushing through an egg timer. Thousands of days have begun like this for her. I wonder how many remain.

Ahead of me a circle of light illuminates a cluster of men at a small tea stand. Two are sitting on a homemade bench. They are discussing the morning’s newspaper, a broadsheet of few pages, inky photographs and swirling Indian script. The other men are standing, quietly sipping steaming glasses of milky tea. They hold them delicately at the rim as the glass is too hot to hold. Moths swirl round the bright bulb that hangs above the busy proprietor.

In a reminder to myself that this journey is about more than merely pushing through miles and pain, I stop. I enter the pool of light. I unclip my rucksack, roll it from my back and dump it on the floor. All eyes are on me. I stoop under the low thatched roof and sit on the end of the wooden bench. I look around, smile and blow out dramatically, suggesting that I am tired. It’s not true: I’ve only walked a few miles. It’s just a role I play. The road has taught me that this is an approach that works. It starts a conversation.

Chai?” someone asks.

Chai,” I agree.

It’s time for a cup of tea.

This is an extract from my book There Are Other Rivers. I’ll post the next chapter here at the same time tomorrow evening. 

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Comments

  1. Thank you for prompting me to research Sisyphus (pointless repetition) and Escher (Dutch artist?).

    Reply

 
 

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